Innocence

About

Depicting the wide web of trauma left in the wake of a school shooting, the late, great Finnish composer Kaija Saariaho’s final opera is a raw and unflinching cri de coeur in response to the senseless violence of our modern age. Captivating with its eerie, darkly beautiful sound-world and diverse vocal styles, ranging from traditional opera to expressionistic speak-singing to Scandinavian folk music, Innocence, with libretto by prominent Finnish author Sofi Oksanen and Aleksi Barrière, was greeted upon its 2021 premiere by awestruck reviews and hailed as “completely exhilarating” (The New York Times), “a modern masterpiece” (The Telegraph). For its Met premiere—in Simon Stone’s powerfully direct original production—the cast is anchored by mezzo-soprano Joyce DiDonato and Finnish ethno-pop singer Vilma Jää as a grieving mother and the daughter she lost in the shooting, as well as soprano Jacquelyn Stucker and tenor Miles Mykkanen as a young couple whose wedding, a decade after the tragedy, uncovers buried secrets and reopens old wounds. Maestro Susanna Mälkki, a close friend and collaborator of Saariaho’s, conducts what she calls “one of the most important works of our time.”